Well, it's the last day for QuiltCon submissions, and I hope you all have submitted some yourselves! I'll show you the ones I've submitted over the next few weeks, I put in 6! Not that they are all great, but because I had four fairly strong ones, and two I thought, well, why not? After all, because you submit in batches of 3, it doesn't cost any more to submit 6, once you've decided to go for 4.
Last week, I showed Fugitive Flower, my 300+ color quilt.
Today let me show you, uh, "Complicated Drunkard's Dots" Frankly, not actually a fan of that title. I've given it many, but none seem that great. This is a long shot to get in the show, I think.
But I like it! It's a combination of one of my favorite quilts from way back, and this tutorial I put up on my blog, called Complicated when Drunk, about doing piecing inside Drunkard's Path subunits.
And actually, this quilt is kind of an accident. Or is it a design challenge? I had a lot of lime green 2.5" squares for a quilt which grew out of that tutorial; when I had that top pieced, I realized that I had cut many more lime green squares than I needed, so then, I ended up making two baby sized quilts in addition, just using up those lime green squares. I'm quilting the other one now.
I'm not sure now how I hit on the red-violet and lime green combo, but I love it! It really seems to sparkle. And unlike the first quilt, there are no partial seams, so yay!
I used some nice lime green thread in large swirls to quilt it. The back is lime green, too. And the binding is a Carolyn Friedlander crosshatch. It's washed up and wonderfully soft.
It's interesting to look at, but I'm not sure it has that super strong graphic statement. I'm not sure that this is the best placement for 9 circles in a background of a particular size. I like everything about this quilt, how the busy patterns fade out with the high contrast between the two colors, and I'd be pleased to see it at QuiltCon, but if it doesn't get in that's cool, it will be going to the local Children's Hospital, where it will hopefully find someone to love it. And if it does get it, when it comes home it will still go to the Children's Hospital just the same, because that's what I always meant for it.
And I want to continue playing with the layout of this quilt. One day I will get it just right!
Monday, November 30, 2015
Friday, November 20, 2015
|Portrait of the artist with the quilt.|
It's funny, that when I looked back at my blog to see what I had posted about this project, it's just two posts. One post announcing that I was going to attempt it (and showing the materials), and one catchall post, where I showed some progress. And then it dropped out of sight.
I did some swaps, I went to Quiltcon, I was working on a few other things (including another large project I started like a week afterwards!) and paper piecing is... not my favorite thing.
Not that it's awful! It takes a lot of dedicated space and concentration, its own peculiar tools, and it's not the most portable project, especially, when everything has to be just so. That is, labeled, in order, organized. When you have an 8 page book of fabric names to look up everything in to be sure it's going in in the right order...
Did I forget to mention the vast organization effort that buttresses this quilt? It's a Kona 303 quilt, so it uses every one of the colors (and non-colors) Robert Kaufman puts out under the Kona name. It took 8 charm packs (Bright, Classic, Dark, Dusty, Neutral, Pastel, Summer 2013 and New Colors 2014) and that comes to 302 (I checked, manually, every color in the charm packs, to be sure they were all there; this is another quilt which owes its existence to time spent in bed sick, when I could devote an afternoon or two to such a silly undertaking). The last color is kona PFD, which I luckily already possessed, as I once spent much of my free time dyeing fabric.
Every fabric had to be labeled (every label had to be created). All duplicates were marked so that one could tell they were duplicates (see above). Then all the fabrics were sorted into piles by color (duplicates were put to the side).
Anyway, I'd sorted the fabric into 10 groups of 8 petals, each composed of 3 charm squares for the petals. Whatever was left was added to the duplicates to create the background (though duplicates only stepped in once the originals were exhausted to be sure every color was in the quilt). Notes were taken on all this work, so that if things were disarranged, or I took 8 months off from the project, they could be reconstructed.
|the background with no foreground|
|The foreground with no background|
This, too, was dutifully recorded. Each label was annotated with the corresponding grid number of the block it would be joined into. (And the background, and the petals).
Then blocks could be finished. And subunits assembled. And those joined into rows. And rows into a quilt.
I quilted it all over with a light blue thread, using a paisley motif. (It has a nice Kate Spain backing, but I may never have photographed it!).
Bound in Kona Lavender (coordinates with the backing) and done!
It's about... 32" x 40" tall. Would I do it again? Maybe. The seams pile up in a way that makes them impossible to quilt, though, so I would hesitate. (Also, assembly? I broke at least 5 needles on this thing, guys). I also don't think it's the most elegant solution the the 303 puzzle. And... frankly, from a replicating the original standpoint, it's just not enough colors. As for releasing a pattern, well, I'm not sure about that either. Having made one myself, I'm not sure I want to inflict that torment on other people...